Archive for the ‘Newsletter’ Category

Diane’s Country Music Newsletter — 21 August 2019

Wednesday, August 21st, 2019


Ever since I interviewed Lacy J. Dalton for my May 15 spotlight, I’ve been waiting for her to come to South Dakota. It happened last Thursday evening when she did a show at the Sisseton Performing Arts Center. She was as friendly in person as she’d been on the phone. We chatted for a while backstage in the afternoon. Each time a new person entered the room, she would say, “Hi, who are you? I haven’t met you yet.” (more…)

Diane’s Country Music Newsletter — 7 August 2019

Wednesday, August 7th, 2019


Billboard’s Country Airplay chart had a solo female artist at the top for the first time in more than a year. “Girl” by Maren Morris jumped from #4 to #1 and dropped this week to #13 . Kelsea Ballerini’s “Legends” hit #1 on February 24, 2018. Miranda Lambert shared a #1 with Jason Aldean for “Drowns the Whiskey” on August 25, 2018. This report led me to do some research. In the 240 weeks of 2015-2019, I found eight weeks where Billboard’s Country Airplay chart was topped by a woman and ten weeks where a woman was featured with a man. Let me repeat: That’s 8 of 240 weeks for women and an additional 10 appearances with men.


Diane’s Country Music Newsletter — 24 July 2019

Wednesday, July 24th, 2019


“Pig Robbins probably played more sessions than anybody ever did,” Lloyd Green told me during our recent phone conversation. He gave me Pig’s number so I could check in with the famous pianist and keyboard session player. When I called Hargus “Pig” Robbins, 81, and asked how he was, he said, “I don’t do as much as I used to, of course.” He enjoys listening to old-time radio shows through his computer. “I listen to old Gunsmoke, old Sergeant Preston, old radio shows, Life of Riley, stuff like that,” he says.


Diane’s Country Music Newsletter — 10 July 2019

Wednesday, July 10th, 2019


“For my age and condition, I guess I’m doing pretty good,” Les Leverett told me when I called him last week at his home in Nashville. “God’s been awful good to me.” Les is ninety-two years old and leads a busy life. One of his favorite events takes place the first Monday night of each month. A group from his church goes to the Maybelle Carter Retirement Home to sing for the folks who live there. (more…)

Diane’s Country Music Newsletter — 26 June 2019

Wednesday, June 26th, 2019


Thanks to Sharon Kenaston and Tracy Pitcox for a Thursday evening filled with high-quality traditional country music. Sharon hosted the 22nd annual Wahoo Country Music Show in Wahoo, Nebraska, this past weekend. Tracy Pitcox brought several Heart of Texas recording artists for a dance at the Starlite Ballroom.


Diane’s Country Music Newsletter — 12 June 2019

Wednesday, June 12th, 2019


I hadn’t heard anything about Lloyd Green in quite a while, so I called him Sunday evening to find out how he’s doing. He answered the phone on the second ring. “Life’s different for me these days,” he told me. “Dot passed away about three years ago. I’m still in the music business, I’m still recording some, I’m still playing live shows around here. But music is becoming less and less important.”


Diane’s Country Music Newsletter — 29 May 2019

Wednesday, May 29th, 2019


“I am kind of phasing out Lisa Sutton Music Services after fifteen years,” Lisa Sutton told me during our telephone conversation last week. Lisa is the daughter of the late singer Lynn Anderson and songwriter Glenn Sutton. Her grandparents were songwriters Liz Anderson and Casey Anderson. How’s that for country music royalty?

Lisa has spent her career in a different aspect of the music industry. “I always handled CD manufacturing and graphic design for album covers,” she explains. “We could do short runs, long runs, I could put all the CDs together, drop ship them to all the different customers. But everybody’s going digital. So I’m backing out of that one slowly, and I’m going to focus more on my publishing catalog.” (more…)

Diane’s Country Music Newsletter — 15 May 2019

Wednesday, May 15th, 2019


The most incredible project Lacy J. Dalton, 72, has ever done in her life came from the recent three-and-a-half years she spent with an arts program at High Desert State Prison in Susanville, California. “It was a life-changing experience,” she told me during our telephone conversation last week. When a friend called and asked her to join the program, she said she was too busy and didn’t want to do it. He convinced her to give it a try. Dale Poune, her partner of ten years and a “fabulous guitar/mandolin/piano player,” went with her. “From the minute I went into that prison, I never felt one moment of fear,” she recalls. “Those men were so grateful. They had no programs like art or music or acting or anything in the arts. These are level four guys, twenty to life. I’ve never felt so loved and appreciated in all my life.” (more…)

Diane’s Country Music Newsletter — 1 May 2019

Wednesday, May 1st, 2019


Mastering engineer John Eberle, 79, died April 12 at Dickson Health and Rehab in Dickson, Tennessee. For more than 30 years, he mastered recordings at Nashville Record Productions (NRP), before launching his own company, Americana Mastering. His credits appear on nearly 450 recordings. “Mastering is the final process in audio recording, after the music has been captured to tape (or disc), and mixed down to a two-track master recording,” explains Bluegrass Today. (more…)

Diane’s Country Music Newsletter — 17 April 2019

Wednesday, April 17th, 2019


Jim Glaser (1937-2019)

Jim Glaser, the originator of the Marty Robbins harmony sound, died April 6 at his Nashville home at age 81. While on tour near Spalding, Nebraska, in 1957, Marty hired the Glaser Brothers (Tom, Chuck, and Jim) after their father brought them to his dressing room. The trio toured and recorded with Marty for almost five years. “The western songs were three-part harmony,” Jim once explained. “I laid out those harmonies pretty much the way I laid out the Glaser Brothers harmony, which turned out to be a little bit of a bugaboo for us, because the Glaser Brothers began to sound like we were copying Marty.” They became known as Tompall and the Glaser Brothers (more…)